Saturday, May 20, 2017

How to Make an Acrylic Skin for Jewelry Making

Hi everyone!  I just wanted to take a moment to share my newest video tutorial using ColourArte's Vivid Ultra Metallics to make a marbelized acrylic skin to use in a bezel for a beautiful necklace, but it doesn't stop there.  These skins can be used in a wide variety of mixed media and art applications and sized to your needs.


See how easy it is to make!


I hope you  enjoyed my project and video.  If you liked it, I would really appreciate a thumbs up, and comments are always appreciated.  If you would like to see more videos like this, please consider subscribing to my YouTube channel.


ColourArte Supplies Used:
Vivid Ultra Metallics:
  Bolivian Blue
  Solar Gold
  Teal Zircon
  Jasmine
  Snap Dragon
  Wine & Roses
  Siam White
  China Black

Other Supplies Used:
1" square Silve Bezel
Golden Polymer Medium (Gloss)
Clean Water
Mini Cups for Mixing
Food skewers or craft sticks (for stirring)
Pin or Needle
Craft Mat
Ice Resin

As always, thanks for stopping by, and remember to take time to play!

Barbara

Thursday, May 11, 2017

Rusty Steampunk Altered Notebook Tutorial

Hi everyone!  Barbara here again with another fun project using Gypsy Soul Laser Cuts.  I found this inexpensive little hardback notebook in the $1.50 bin of my local craft store.  I am always making notes of things I want to create, or things I want (need) to do, and so, a notebook with a hard cover is the perfect substrate to add layers chipboard embellishments.

This is my finished "Bright Ideas" notebook, hence, the light bulb, which suggests that there just might be some good ideas hiding inside this little book.  And, as you can see, it is rusty and very Steampunk!  So scroll down for more information on l how I made this rusty, crusty and dusty cover using Andy Skinner's rust technique with and a few added products for even more crustiness.



Cut two pieces of paper to measure 4-3/4" x 7-1/8" for this particular book.  If your book is a different size, cut the paper slightly smaller than the front of the book, without covering the spine.   Adhere the paper to the front and back of the book.



I cut the gears texture sheet apart, leaving the top and left edges straight to line up against the edge of the book.  The bottom edges were cut more randomly between the gear shapes. 



Adhere this piece to  the top of the book, a shown.



Arrange and adhere the chipboard pieces to your liking.  I layered some of the gears, clock hands, and propellers for added depth and dimension.



Paint front and back of book with a wash of white gesso.  Remove some of the gesso from the script paper with a damp paper towel if you want to see more of the print show through.  Place a piece of paper between the book covers and the pages to protect them during this process. Let gesso dry.
front cover


back cover
Spread splotches of texture sand paste randomly over the chipboard and open areas of the book cover.  Let dry.


front cover

Turn book over and spread modeling  paste through gears stencil.  Let dry.


back cover

Let modeling paste dry.  This is how your back cover will look.
back cover

Paint front and back covers with a wash of Paynes Grey + water.  In the photo of the front, you can see the gritty texture left by the texture sand paste.


front cover

The back cover shows the stenciled gears and the texture sand paste I added after painting.  I simply used my finger to apply a very thin, random coat over the background.  Let paste dry.


back cover

Paint both front and back cover with a wash of Quinacridone Gold and let each side dry.  Then paint both sides again with the Quinacridone Gold direct from bottle for a deeper tone.  Let dry.


front cover

back cover
Add highlights by painting covers with Translucent Yellow Iron Oxide, concentrating on the sanded sections.  This adds a really subtle color variation.  


front cover


back cover


Next, add splotches of Titan Buff randomly over covers by applying with finger and very little paint.  Let dry.





Apply Cobalt Teal Hue in the same fashion as previously done with Titan Buff.  Let dry.





Now apply a wash of the Quinacridone Gold + water over the entire cover, front and back. This will tone down the colors and make them look more grungy.





Apply small amounts of Rusty with finger, just hitting high spots and edges very randomly.





Highlight high spots and edges with Rose Quartz Treasure Gold.  Use sparingly and apply with your finger.





Shade chipboard pieces with a slightly watered down Paynes Grey, allowing the paint to collect in the nooks and crannies.  Glue metal letters "Bright Ideas" along the left edge of front cover, as shown.



Repeat shading process on back cover with slightly watered down Paynes Grey, allowing the paint to collect in the nooks and crannies.



Finish off inside covers by adhereing print scrapbook paper of your choice to the inside, as shown.




Supplies Used:

GSL Steampunk Lightbulb Set
GSL Texture Sheet Gears 6x6
GSL Steampunk Shape Set
GSL Gears Shape Set
GSL Propellers
Hardback note book (5"x7")
7Gypsies print papers
White gesso (Liquitex)
Mixed Media Adhesive (Derivan) (or any white glue or gel medium)
Light Molding Paste (Golden)
Texture Sand Paste (DecoArt)
DecoArt Media Fluid Acrylic Paints 
  Quinacridone Gold
  Transparent Yellow Iron Oxide
  Paynes Grey
  Titan Buff
  Cobalt Teal Hue
Rust Effect Paint (Viva D├ęcor)
Rose Quartz Treasure Gold metallic wax
Metal Embellishments (from my stash)

I hope you enjoyed my remake of a fairly non-descript notebook into something  you just might want to record your "Bright Ideas" for posterity.  Of course, if Steampunk is not your thing, I would suggest that you check out the Gypsy Soul Laser Cuts online shop to see the wonderful selection of chipboard in just about any theme you can imagine.  Make it your own!

Thanks for stopping by, and have a great day!

Barbara

Tuesday, May 9, 2017

If There Were No Butterflies Canvas with ColourArte

Hi everyone!  Today, I want to share another mixed media video tutorial using ColourArte's Vivid Ultra Metallics, some die cut chipboard, as well as some laser cut chipboard, to make an inspiration art canvas for your home, or to keep as a daily reminder in your craft/art studio.


I hope you enjoy it, and please be sure to give me a thumbs up if you liked it, and I always love to read your comments, which are so appreciated.


And here is another picture showing a bit of the dimension you can get with the chipboard.



ColourArte Supplies Used:

Vivid Ultra Metallics
African Jade
Bolivian Blue
Sunflower
Olive Vine
Jasmine
Lemongrass
True Metals Dragon Gold
Snap Dragon
Douglas Fir
China Black
Solar Gold

Other Supplies Used:

8x10 canvas
Fantasy Frame & Flourishes (Gypsy Soul Laser Cuts)
Sizzix/Tim Holtz dies:  Layered Butterfly,  Garden Greenery
Distressed Harlequin Stencil  (Americana)
Liquitex White Gesso
White Crackle Medium (DecoArt)
Quick Grab Tacky Glue (Aleene's)
No Butterflies rubber stamp (B-Line)
Champagne Pearl Lustre embossing powder
Black chipboard
Versamark ink pad
Cut n' Dry foam (Ranger)
Metal embellishments

Thanks so much for stopping by.  I hope you will consider subscribing to my YouTube channel, and as always, remember to take time to play!

Barbara